After some major technical issues, your intrepid hosts are back and talking about Twin Peaks: The Return, with a focus on Parts 9 through 12. True to form, we live up to the “tangents” part of our title, talking about everything from the intricacies of story structure in modern premium television, to why we love Dougie so damn much. We discuss H.P. Lovecraft’s “From Beyond” as a key Weird text, and some intriguing parallels between that story and The Return’s approach to sound and energy as a way to split the barrier Between Two Worlds.
An overarching theme of The Weird is that some knowledge is–or should be–forbidden. That seeing into the abyss means that it’s denizens may see you, reach you, touch you… and do worse than see and touch. In various ways, Twin Peaks has always dealt with this idea. Sara Palmer, the Log Lady, and Cooper himself all found themselves seeing beyond the normal 5 senses that most humans share, and all of them have paid a steep price. The Return has gone even further, introducing devices, spaces and places that offer glimpses behind the curtains of reality, and what we have seen there has been the exact opposite of safety and mundanity.
Therefore we offer you a chance to reset your clocks 97 years into the past and witness the very first time that the foundational horror writer H.P. Lovecraft ventured to set down the facts relating to what issues, From Beyond.