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In their first post-finale podcast about Twin Peaks: The Return, Karl and Jubel begin what will surely be the long task of parsing out what the hell just happened. Setting aside the cross-textual analysis for the most part, they look at how Lynch/Frost structured the Return, discuss some of their favorite (and least favorite) elements, the chances of another season, and break down that haunting final scene. Some outside tangents are explored: Orpheus and Eurydice, Stravinsky’s “Rite of Spring,” and the phases of human sexuality are brought in as tools to understand both the text of Twin Peaks, and the phenomenon of such a challenging piece of art, and popular entertainment.
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Click Here To Explode Worldview
For artists, their outlook of the world can be expressed in the form of discrete symbol systems, and in this way artists are likely to refer to their art as their children. For this is true in a partially incestuous way. Our start positions in life are given to us primarily by our experiential parents: Those brave humans who choose to raise us. We take on that gift (or baggage) and transform it over the course of our lives, our lived encounters with the human and natural world. This forms individual outlooks on the world, for none of us see all of it, or even an identical portion of it.
An artist cannot help but incorporate this subjective model of the unknown objective world into their object ‘d art, or can they? In this episode, we discuss the work and lives of a number of authors working in the genre of “The Weird.” From H.P. Lovecraft to David Lynch. Yes, it’s Arkham to Twin Peaks, by way of Cross Plains, Texas and Detroit, Michigan.