After some major technical issues, your intrepid hosts are back and talking about Twin Peaks: The Return, with a focus on Parts 9 through 12. True to form, we live up to the “tangents” part of our title, talking about everything from the intricacies of story structure in modern premium television, to why we love Dougie so damn much. We discuss H.P. Lovecraft’s “From Beyond” as a key Weird text, and some intriguing parallels between that story and The Return’s approach to sound and energy as a way to split the barrier Between Two Worlds.
Today, ladies and gentlemen, we will concentrate on “Eight”.
The 8th installment of Twin Peaks: The Return, we feel, will be looked on as the beginning of a new thing in the world of Television. It is also the best information we have today about the ultimate beginnings of BOB, Laura, and… Gnosticism? It’s a hot take everyone, so grab some Iced Tea and focus on our 11th secret, “A Beginning is a very delicate time…”
For artists, their outlook of the world can be expressed in the form of discrete symbol systems, and in this way artists are likely to refer to their art as their children. For this is true in a partially incestuous way. Our start positions in life are given to us primarily by our experiential parents: Those brave humans who choose to raise us. We take on that gift (or baggage) and transform it over the course of our lives, our lived encounters with the human and natural world. This forms individual outlooks on the world, for none of us see all of it, or even an identical portion of it.
An artist cannot help but incorporate this subjective model of the unknown objective world into their object ‘d art, or can they? In this episode, we discuss the work and lives of a number of authors working in the genre of “The Weird.” From H.P. Lovecraft to David Lynch. Yes, it’s Arkham to Twin Peaks, by way of Cross Plains, Texas and Detroit, Michigan.