An overarching theme of The Weird is that some knowledge is–or should be–forbidden. That seeing into the abyss means that it’s denizens may see you, reach you, touch you… and do worse than see and touch. In various ways, Twin Peaks has always dealt with this idea. Sara Palmer, the Log Lady, and Cooper himself all found themselves seeing beyond the normal 5 senses that most humans share, and all of them have paid a steep price. The Return has gone even further, introducing devices, spaces and places that offer glimpses behind the curtains of reality, and what we have seen there has been the exact opposite of safety and mundanity.
Therefore we offer you a chance to reset your clocks 97 years into the past and witness the very first time that the foundational horror writer H.P. Lovecraft ventured to set down the facts relating to what issues, From Beyond.
It’s hard to believe that we have already made it to the 9th secret of Counter Esperanto, and because 9 is a magic number we talk a lot about magic this time. The magic of 25 years ago and the anticipated magic of next week. The power of poetry, the nitty-gritty of pulling down the moon for fun and profit, and an intense speculation into the real secret history of Annie Blackburn, a character having a most amazing and intricate background… or lacking one entirely. It’s not that we are vacillating, it’s just that, “Depending on how one looks on the situation, it appears they both have merit.”
Because of that, we’ve gone back to the textual ur-text of Counter Esperanto, Mark Frost’s The Secret History of Twin Peaks, in order to investigate why Annie does not appear in it, and what that (and other things) may reveal. From there we have put out our feelers in order to really get the lay of the land as it sits, take the current temperature of Twin Peaks, and nail down some things that we think about David Lynch’s Enigmatic tales that bridge the gap between the small screen, the big screen and the mental screen.
To wit, this episode contains:
(1) Samuel Taylor Coleridge’s “Kubla Khan: Or, a vision in a dream. A Fragment.” read by Karl Eckler the elder. (2) Jubel’s introduction (3) A snapshot of Twin Peaks 25 years later, and 7 days from the return. (4) “What’s Annie?” A wandering primer of esoterica, modern alchemy and Nth dimensional physics by K, all used to advance a theory both wild and unexpected. Submitted as a reply, with all due reverence and reciprocity, to the recent work of Lindsay Stamhuis.
The Music of Erich Zann is a haunting reminiscence of a place found outside the normal rules of society, order and physics.
Something exists behind the high wall that only Erich Zann can see over.
Does he long to see?
Or is he afraid of the cold fire from beyond that longs to walk with him?
Like the town of Twin Peaks the Rue d’Auseil cannot be found on any map, and those who seek for it fail, unless they walk with their inner sight. We Invite you then to close your eyes in a tightly curtained room, and shudder along with us a we walk up that steep hillside street where the houses bend together like supplicants in prayer, they and we are anxiously awaiting the concert to begin.